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A few Sundays ago, Camerata Pacifica artistic director Adrian Spence, aided by his tech-savvy son Keiran, went live on Facebook to broadcast a previously recorded performance of Mozart’s Trio in E flat (K. 498), a.k.a. the “Kegelstatt” trio. At least they tried to.
The recorded performance was one of many that Spence had drawn from the Camerata’s extensive video archives. When the covid-19 crisis abruptly canceled its season, Spence launched a weekly series of rebroadcasts to fill the silence. (...)